Insight Molly Donovan Curator of Contemporary Art National Gallery of Art November 16 6pm
This Week in Baltimore and beyond:screenings of Lynn Silverman & Jason Sloan'southward Retentiveness Foam at Goya, Waller Gallery presents Nakeya Brownish, Safiya Cheatham, Chris Kozjar, and Savannah Forest at Eubie Blake Cultural Center, Gallery Bluish Door hosts an opening for Kelly Fifty. Walker, Robert Hoffman, and Markus, Elaine Fisher's opening at Projection 1628, and the Lewis Museum celebrates Martin Luther King, Jr. 24-hour interval virtually — Plus, the Frankenthaler Climate Awards and other featured Calls for Entry.
BmoreArt'southward Picks presents the all-time weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more than comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated on a daily basis.
To submit your calendar event, email u.s. at events@bmoreart.com!
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Virtual Happy 60 minutes: Edmonia Lewis Celebration
Wed, Jan 12 : v:30-six:30pm
@ National Museum Of Women In The Arts
Join staff of the National Museum of Women in the Arts for a virtual happy hour to gloat the life and work of Edmonia Lewis! Nosotros will make a specialty cocktail in her accolade, share artworks and stories, and discuss all things Edmonia.
Registration is required. Subsequently registering, you will receive a confirmation email containing information about how to join.
Lynn Silverman & Jason Sloan: Retentiveness Foam
Screening from January 6 – February iv, 2022
@ Goya Contemporary
Due to rising COVID-nineteen numbers, and out of an abundance of caution, Goya Gimmicky regrets to announce that we have postponed the January 6th film screening of Lynn Silverman & Jason Sloan's groundbreaking piece of work, Retentiveness Foam.
Instead, we take opened the following dates (meet below) for intimate screenings with the artists present for discussion following viewings. These screenings require RSVP seat reservations with a limitation of 14 participants at one time. Vaccination proof and masks are required for entry. Please email gallery@goyacontemporary.com with your request for seat reservations. Please point the number of seats you wish to reserve and your preferred date. We will try our best to accommodate your request on a first come first served basis. (patrons who reserved seats for the January 6th event have priority reservations). Please note: we continue to remain open and accessible to our patrons at all times during regular business hours. This change only furnishings the formerly scheduled larger public gatherings.
Thanks for helping us safeguard our community and its commonage wellness.
Schedule of Screening with the artists:
Wednesday, January 12 at Noon
Sabbatum, January 15 at Apex
Midweek, Jan 19 at Noon
Thursday, January 20 at vi:00 pm
Sat, January 22 at Noon
Wednesday, January 26 at Noon
Saturday, January 29 at Noon
Midweek, February 2 at Noon
Memory Cream, 2019-2021, is a masterfully layered, time-based collaboration betwixt historic lensman Lynn Silverman and the distinguished audio artist Jason Sloan. Working at the intersection of form and audio, this conceptual film fuses complex amalgamations of black and white photography sequences with a responsive, ambient score that beautifully documents light within intimate, interior domestic spaces. Assembled with acoustic elements mined from the electromagnetic fields unique to each depicted light source, Retentivity Foam blurs the edge between private and public explorations of space and sound. This experimental film manipulates sound into a physical form thorough photography, while photography vibrates and dissolves through elements of sound, creating a visceral consequence filled with mystery and tension.
Dispersive Archives Vol. ii | Opening Reception
Friday, January 14 • 5-9pm | Ongoing through February 14
@ Eubie Blake Cultural Eye, hosted past Waller Gallery
Featuring Artists: Nakeya Brown, Safiya Cheatham, Chris Kozjar, and Savannah Wood
January 14 – February fourteen, 2022
Opening Reception: Fri, January 14 from 5-9pm
Gallery Hours: Wednesday-Friday and Saturday eleven-3pm
Dispersive Archives Volume two builds on the thesis of Dispersive Archives Vol.1: creating your ain archive. The artists work with the archive to tell their histories and stories about real and theorized experiences. Themes include enslaved liberation, the beauty industry, family unit, and popular culture. The exhibition conveys the expansive nature of archives and how information technology relates to multiple cultures inside the Black Diaspora and the United States.
Nakeya Brown uses archival materials of an boggling kind and formats them into tableaus in front of the camera. Her work confronts the history of hair intendance, dazzler, and social mores through Black History. Safiyah Cheatham presents a gimmicky archive that explores Muslim cultures through the digital and visual culture of music videos and social media. Using AR Cheatham changes the way the archive is shown, the audition interacts with the piece of work in a unique way.
Chris Kojzar presents Black History on a large scale by focusing on John McDonogh and the enslaved persons at his Louisiana plantation. Kojzar'southward work reinforces how difficult it is to collaborate and confront your personal histories. Savannah Forest's work uses her familial annal and presents an active, or working, project. Forest's presentation honors her history besides as her textile sources.
Thank you to the gracious support of the Eubie Blake Cultural Center for housing this exhibition. There will exist a digital artist talk presented towards the terminate of the exhibition'south run. Educational activity and school-based tours are available by appointment merely. Support for the Waller Gallery is in function past the Waller Gallery Patreon page, volunteers, patrons, and supporters.
COMPATIBLE Union / IMAGINARY WORLDS / ROUGH Route | Opening Receptions
Saturday, January 15 • four-6pm
@ Gallery Blue Door
Opening Receptions of – Compatible Union – Kelly Fifty. Walker, Imaginary Worlds – Robert Hoffman, and Rough Road – Markus.
Kelly L Walker's abstract paintings demonstrate the techniques, textures, and patterns she employs as a professional decorative painter. She pushes mediums by their intended purposes, encouraging them to collide and react, not rejecting happy accidents and forcing incompatible materials to see.
Robert Hoffmanattended Indiana University (BFA – painting major), but found himself fatigued to fibers and mixed media and taught himself how to embroider and combine mediums. This opened up a globe of possibilities. In Robert's work, landscapes are whimsical environments for his birds. In this imaginary landscape, birds take on the narratives of humans.
Markus often creates his work in serial of 4, 8, 12 or more than pieces that share a related feeling or theme, though he pursues no statements or social commentary. He has been an artist for 35 years, merely in 2014 he turned his attention solely to 3D work, and now focuses exclusively on abstract assemblage in metal, wood, concrete, glass and constitute objects from the alleys of his home urban center of Baltimore.
Elaine Fisher: "Repartea" | Opening Reception
Dominicus, January 16 • 2-5pm | Ongoing through February 20
@ Project 1628
'Repartea' is a dinner-party installation cartoon its inspiration from previous 'banquet' events at Project 1628, a refined non-commercial setting in Baltimore's historic Bolton Hill neighbourhood. The words 'Repartee' (chat or speech characterized by quick, witty comments or replies) and 'tea' (a term used to denote 'dinner' or an evening meal in England also as the Colonial 'mash' itself) combine to invite an imaginative viewing of this work. As place-settings for a sumptuous feast, and through the shifting and layered dialogues that emerge from their trashy parts, each sculpture is gradually revealed as both consumer and consumed – we are what we eat!
"The imaginative play of my recent miniature exhibition 'the baby and the bathwater' at Shelter in Identify Gallery, Boston, hoped to interruption downward some of the barriers that brand information technology hard for united states of america to properly accost alarming ecology issues such as climate modify. At Project 1628 I intend to match that with an undeniable physical reality. Faced with an enticing feast of household recycling I hope that it volition exist difficult to look away" Elaine Fisher, Creative person 'Repartea'
"We exist to share art and culture with those who relish the spark of new people and ideas. Our mission is to back up the drive to create and the drive to connect." Marcia Hart, Director, Project 1628
Open up Hours Saturdays and Sundays two-5pm 16 Jan thru 19 February, weekday appointments available on calendly
enquiries: Elaine Fisher elaineyfish@gmail.com
Virtual MLK Day 2022
Monday, Jan 17 • 12pm
presented by the Reginald F. Lewis Museum
Celebrate Dr. Martin Luther Rex Jr. Twenty-four hours virtually this year with the Lewis Museum equally part of your day of reflection. Virtual programming includes a conversation with Ceremonious Rights historian Taylor Co-operative with Dr. Izetta Fall Mobley, Direcor of Interpretations, Collections and Educational activity; an MLK Children's Theater Read Aloud with oratory speeches and sing forth with theCFA Repertory Theatre Company; a viewing of the annual HS Juried Fine art Show: Changemakers along with spoken word raps past Dewmore Baltimore poets; and a musical homage to the motility performed by jazz saxophonist Benny Russell, trumpeterBrandon Woody, pianist Justin Taylor, drummer Jay Moody and bass role player Blake Meister.
**This virtual program will premier at Noon and be attainable online here via our museum's youtube page and facebook page.
To RSVP, Click HERE.
Calls for Entry // Opportunities
Content Creator | Chore Opportunity
with Abel Communications
Abel Communications, one of Baltimore'due south well-nigh dynamic PR firms, is seeking a Content Creator. The Content Creator will work with our Creative Lead and business relationship teams to develop top-notch creative for our clients.
The right candidate for this position will have impeccable graphic pattern chops with some feel in other disciplines to boot. You will thrive hither if you're energized by a high-performance, collaborative environment, and are willing to take risks and color outside the lines. You'll be working in tandem with our Creative Atomic number 82 to develop multi-channel content marketing campaigns from strategy to execution so a beloved of language and an ability to draft tricky copy would exist a plus. Experience with, or interest in, video editing and mograph design preferred only not necessary.
The Content Creator role is an entry-level, full time position with a competitive salary. Interested applicants should send a cover letter, resume and portfolio with relevant work samples to jobs@abelcommunications.com with subject area line:Content Creator Candidate.
Proud to Make it in Maryland
sponsored by Maryland MEP
MD MEP's new Proud to Make It In Maryland campaign is part of our larger Make Information technology In Maryland initiative, designed to promote manufacturing and tell the stories of the manufacturers who are proud to telephone call Maryland home. Currently there are more than 4,000 manufacturers in Maryland that utilise more than 110,000 workers state-wide that contribute nearly $25billion to our state GDP. Every bit an manufacture we need to do better to ensure our legislators, friends, stakeholders and the communities we alive and piece of work in empathize the importance of manufacturing to Maryland's economy and to our future.
The Proud to Make it In Maryland campaign will allow united states to collectively demonstrate our delivery to manufacturing in Maryland and to share images, videos and examples that showcase the breadth and diversity of the manufacturers in our state.
WHAT IS Information technology?
The Proud to Make It In Maryland is a social media entrada to highlight manufacturers and tell the story of manufacturing in Maryland. Md MEP's goal is to go a Proud to Make information technology in Maryland banner hanging in every manufacturing facility in Maryland! Photos, images and stories will exist shared through social media platforms and other media channels to heighten the level of awareness of manufacturing in Maryland.
WHO CAN PARTICIPATE?
Whatever manufacturer that has a valid manufacturing NAICS code, and a physical manufacturing facility with at least one employee located anywhere in Maryland.
WHAT DOES IT COST?
There is NO COST to participate in the 'Proud to Make it In Maryland' move!
WHAT IS REQUIRED / WHAT IS THE Process?
Apply – manufacturers interested in applying to the program should complete the short application form
Approval – applications volition be reviewed to ensure information is complete and your manufacturing company has a physical location in Maryland
Display – once canonical, you volition receive notification that you lot have been accepted and an electronic 'Proud to Make Information technology In Maryland' badge for you to proudly display on your website, social media and or other materials. Your 'Proud to Make Information technology In Maryland' banner volition arrive within two weeks.
Hang the Banner & Share – Hang your banner inside of your manufacturing facility and post a photograph to your social media platforms! Become artistic, include your team members, products, and accept fun!
Artaxis Fellowship
deadline January xv
sponsored past Artaxis
Nosotros are happy to announce the Telephone call for Applicants for the 6th annual Artaxis Fellowship. This twelvemonth, we will over again be offer two fellowships. Each one is worth upwards to $2,000 to fund a two-week summertime workshop in ceramics at Haystack Mountain Schoolhouse of Crafts. The fellowships will cover room, board, and tuition for a two-week workshop, and upwards to $500 for travel to and from Haystack Mount School of Crafts in Deer Isle, Maine, United states of america.The Fellowship is intended to increase diversity, equity, and access beyond the field of the ceramic arts. In particular, attention will be paid to race, gender, and socio-economic status, with unique circumstances such every bit wartime armed forces service, medical conditions, and unconventional family structures as well considered. Therefore, Artaxis encourages artists of diverse backgrounds and experiences to use.
The 2022 Fellowship Pick Commission is comprised of: Ashlyn Pope, April Felipe, and Shoji Satake. After an initial round of reviews past the Artaxis Board of Directors, our distinguished Fellowship Pick Committee will cull the terminal recipients for the 2022 Fellowship.
Eligibility:
Artists xviii years of age or older, at any phase of their career. Applicant does not need to exist a student.
Applicant can not exist an Artaxis member. If yous accept already been accepted to Artaxis, you are not eligible for the fellowship.
Artists must demonstrate financial need in their letter of the alphabet of intent.
The Fellowship is designed to offer an experience that would otherwise not be possible for the Nominee. To that end, any applicant who has attended numerous workshops, residencies, or similar experiences will not be considered "in need".
This Fellowship is open to US-based and international applicants. Artaxis volition provide international applicants with messages of invitation, simply cannot offer additional funding or support with acquiring a visa.
Haystack will be requiring proof of Covid-19 vaccination for all summertime workshop attendees.
Artaxis oftentimes asks Fellows to be involved in programming to help promote the boyfriend, their piece of work, and the Artaxis Fellowship. If selected for the Fellowship, y'all agree to exist involved when asked.
The 2022 Artaxis Fellowship is supported by Artaxis members and funded by Haystack Mountain School of Crafts in an endeavor to nurture talent within creatively driven individuals past offering financial back up to underrepresented artists.
Frankenthaler Climate Art Awards | Call for Entry
deadline January 20
sponsored by Asia Club and the Helen Frankenthaler Foundation
Presented by Asia Club and the Helen Frankenthaler Foundation, the Frankenthaler Climate Fine art Awards aim to foster climate change awareness through the imagination and insights of an upcoming generation of visual artists.
Starting Jan x, 2022, eligible emerging artists and collectives are invited to submit video artworks (e.g. digital video art, animation, film) or videos well-nigh visual artworks (e.g. documentation of 2D or 3D artworks, such every bit sculptures, photos, paintings, installation, or performance works) that tackle the climate change emergency directly on this webpage.
A shortlist of finalists volition be announced in February and their videos displayed online. Three winners will be selected by a jury of leaders from the collaborating institutions: Melissa Chiu, Director, Hirshhorn Museum and Sculpture Garden; Molly Donovan, Curator of Gimmicky Art, National Gallery of Art; Dorothy Kosinski, Vrandenburg Director & CEO, The Phillips Collection; and Michelle Yun Mapplethorpe, Vice President for Global Creative Programs at Asia Society and Managing director of Asia Society Museum, New York.
Each winner volition receive $15,000. The winners will be honored in April 2022 at the Kennedy Middle in Washington, D.C. on the occasion of Asia Order'south COAL + ICE exhibition.
2022 Arts & Drafts Festival | Call for Exhibitors
deadline Jan 21
sponsored past Baltimore County Arts Guild
The 2022 Arts & Drafts Festival, presented by the Baltimore County Arts Guild, will be held June 25–26, 2022 at the Guinness Open Gate Brewery in Halethorpe. This ii-solar day outdoor festival will welcome over 5,000 visitors and feature upwardly to 60 visual artist exhibitors from beyond the Baltimore-Washington region, alive music, interactive programs, and family-friendly activities. The Baltimore County Arts Guild is currently accepting applications from artists wishing to exhibit their work at the Festival. The Arts & Drafts Festival is open to all artists, including new and emerging artists. Applications are due January 21, 2022. To apply, click on the push button beneath.
Robert Giard Grant for Emerging LGBTQ+ Photographers
borderline Jan 24
sponsored by the Robert Giard Foundation + Queer | Art
In partnership with The Robert Giard Foundation, Queer|Fine art's kickoff international grant of $10,000 supports the cosmos of piece of work by emerging LGBTQ+ photographers. The Robert Giard Grant for Emerging LGBTQ+ Photographers is fabricated possible entirely through support provided past The Robert Giard Foundation.
Previously known as The Robert Giard Fellowship (2008-2018), the grant is named in honor of photographer Robert Giard (1939-2002), a portrait, mural, and figure photographer whose work focused on LGBTQ+ lives and issues. The grant focuses on supporting emerging LGBTQ+ photographers whose projects address issues of sexuality, gender, or LGBTQ+ identity. This year, the grant winner will receive $10,000, and the first-runner up will receive $v,000.
Funds can be requested to support new or ongoing work at any stage of evolution. For questions, email Robert Giard Grant Manager Ka-Man Tse at ktse@queer-fine art.org.
NEA Large Read | Telephone call for Applications
deadline January 26
sponsored by National Endowment for the Arts + Arts Midwest
The National Endowment for the Arts Big Read supports organizations across the land in developing community-wide reading programs which encourage reading and participation by diverse audiences. These programs include activities such as author readings, book discussions, fine art exhibits, lectures, film series, music or trip the light fantastic toe events, theatrical performances, panel discussions, and more. Activities focus on one book from the
NEA Big Read library.
The borderline to apply is Midweek, January 26, 2022.
Source: https://bmoreart.com/2022/01/bmorearts-picks-january-11-17.html
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